hashplant come back with hpr002, second release. we are very happy to announce bananissimo ep signed by basti grub. support by: ada kaleh, u-more, lorenzo chiabotti, mr. deka, marco cassanelli, max (italy) and more

bakk lodges sfv acid with a double deal - a 12 inch (doep) with deep n dark electro vibes and a 10 inch (jazzchamber) for the smooth and elastic funk. both come with the unusual sfv acid touch. it comes in two screen printed inner sleeves packed in a plastic sleeve with a chrome sticker - conceived by the bakk cartoon cartel.

envisaging a trustworthy approach to sound, french dj and producer voiski has steadily built a name for himself in contemporary left-field dance music. he took a singular path in techno, oscillating between experimental projects and signature sound dance floor material. the parisian brings his versatile skills together on the third installment of dekmantels ufo series, serving up five completely different yet coherent sounding tracks.

the time has come for scar to broaden its horizons. as a production duo survival & script initially made a name for themselves by supplying rugged dancefloor workouts but there is a much larger story to tell here and with the orkyd project album this story will be told

* the time has come for scar to broaden its horizons. as a production duo survival & script initially made a name for themselves by supplying rugged dancefloor workouts but there is a much larger story to tell here and with the orkyd project album this story will be told. * production collaborations have been kept to an absolute minimum aside from vocal features, naomi pryor is the ever present voice of the album with further contributions from eleanor higgins and ray uptown. * the influences for the orkyd project shine a further light on the story, from bill withers to massive attack via eric b and rakim. * when initial conversations took place between goldie and scar regarding the album goldie gave the guys full license to create whatever they wanted and what we have been given is a melting pot of 2016 london music. soul exists beside screw face. * it s important to note that drum n bass hasn t been abandoned by any means, the hall marks of scar are ever present and correct- the blue print has just been expanded upon

electronic music has always had a special affiliation with space, and the sounds of the cosmos. an inherent love of all things sci-fi, galactic and otherworldy has always been a common thread, especially with techno producers, and so its always a pleasure to come into greater contact with the science of these sounds when creating new music. project alma is a new collaboration between lucianos cadenza records label and the alma sounds initiative that bridges two sets of individual passions, that of lucianos love for music, and alma astronomer antonio hales love of the universe.

vox low come in hard, slow and dark on a new 3 tracker for correspondant. the pyschedlic parisian duo display various iterations of left field menace, ranging from glam rock on “the hunt”, electro disco on “some words of faith, and pitched down acid on “i am a strange machine sometimes”, but all with the signature analogue pulse which correspondant is famed for presenting

well well well, what have we here then? the folk from kat come up with a might nice surprise brining us a name we havent seen or heard for a good while, domu.

time has come: asymptote duo, owner of the label, makes its debut with its first ever release. sav004, behind the scene ep, is the result of a driving combination between old and new school elements, aimed at the big floor. a side, is darker and deeper, made by two acid and atmospheric techno cuts: behind the scene and chain reaction . on the b side, the traveller is a minimalistic techno trip, with millsian reminiscences. plastic city instead, with its essential sonorities, draws inspiration by the old detroit school, trying to evolve it and go well beyond. past and future create the present

outta sight setzt seine serie mit lp-samplern zu legendären northern soul-clubs fort. folge 6 ist dem wigan casino in der gleichnamigen stadt gewidmet, das mit djs wie russ winstanley oder richard searling ein absoluter hotspot der northern soul-szene der 1970er jahre war. 16 songs aus dem herzen der szene!

nirvanas 1994 new york concert for mtv unplugged as remastered re-issue

emotional response and golf channel come together to release a special collaboration between montezumas rache s christian pannenburg (record loft) and jan shulte (muller/ bufiman) and legendary krautrock guitarist dominik von senger (the phantom band / dunkelziffer). a meeting out of the love of vinyl, where panneburg hails von senger to source phantom band rarities and an idea of working together was born. following the success of the percussive heavy debut wu du wu on second circle, the return to the studio for christian and jan shulte and this resultant ep is a true coming together of cross-generational minds. unfolding across 3 songs of subtly and beauty, mood, structure and atmospherics form in a post-balearic meets psychedelic haze. lilting piano start before dub bass and dominik s refrain melts its way in rheinfahren. voids open, minds expand, felds walked, oceans crossed, seas parted, wind pushes against the face, rolling hills, cloudy skies, sun, sand, love, lost, found, deeper and deeper it goes in to your soul. the uber flow continues at a slower pace with tangerine (krauter mix) taking things down but carrying the interplay between artist s continues as if made for each other. guitar hooks in multiple layers, finger clicks, pots n pans vibes gently taking you from formentara to tisno, malibu, tulum or wherever your heart lies restful. finally, guten morgen bromio is the (bro)mance to end any affair. hip hop roots, jan s mouth-harp underlaying, dominik s licks and christian s dub fx laiden spector commandments shuffle together until group vocals bring them finally to completion. a wonderful ep bringing together 3 artists and 2 labels for the love of music

guitarist rolando bruno hails from buenos aires and got his start playing a raw brand of garage and punk with his band los peyotes. a few years back he took a step into the not-so-distant world of afro-peruvian psicodelico that s had a recent renaissance throughout south america. what made his early forays into a more tropical branch of fuzz so unique was his accompanying band-or lack thereof. armed with an electric guitar and self-produced and recorded backing tracks, rolando bruno and his orquesta midi jet-setted across europe and japan as a mad scientist one-man band, laying down a relentless style of chicha classica gone loopy that earned him several tours and a full-length album with the swiss imprint, voodoo rhythm. originally recorded in 2011 and now remastered and presented by names you can trust on vinyl for the first time, these two tracks are a glimpse into rolandos prolific electric madness and a lysergic-laced pointer towards things to come from the talented six-stringer.

makam with a taste of things to come as he flips the sound pallete for his latest 12- on dekmantel. housed in a plastic outer sleeve with postcard insert. tip! dekmantel say- we re rubbing our hands together gleefully for this one: longtime family member makam will return to dkmntl records with a full-length album later this year. guy blanken s ongoing search for new sounds, textures and rhythms has lead him to than sadet, a stunning piece of work that’s like nothing you ve heard from the the hague based producer before. we have known this ultra-talented chap for years, but it’s fair to say than sadet is his most impressive and distinctive work to date. this sampler is a sneak peek into what is about to be an absolute label highlight, a prelude to the new makam sound. riding high is a lush, isolee-esque lengthy house jam, and the blissful ambient ride backed up by tropical birds than sadet gives more insight into the new territories blanken has been digging into. you ain t heard nothin yet. -

saft welcomes nortasun to it s expanding roster of artists. with not too much info being available about the artist, the music should do the talking. nortasun comes up with a sample drenched ep that consists out of swell basslines, mind expanding chords and outlandish percussion works. untitled 1 opens up with a carefully placed disco sample that hovers over the rhythms very nicely. the percussion section and the ascending chords serve the overal ambiance while nortasun plays with the extended loop pattern that maintains of interest. untitled 2 serves as a very deep but functional voyage into tribal territory. a vary of percussion sets in and smartly exchanges tones with fx cuts. on the b side fudge fingas debuts on saft with an atmospheric beast of a remix for untitled 1 that constantly grows and cleverly uses vocal cuts that change up the original atmosphere and makes the overall a very broad work of house music. the stevie wonder like clava hit + piano solo s that come in when the remix progresses are all in courtesy of the edinburghian producer himself.

christian b & lavvy levan return with the second instalment of their sounds from the den series on friday fox recordings. this latest vinyl 4-tracker picks up where vol.1 left off and continues to explore the outer reaches of the house genre, kicking off with the massive weak from fatty mombassa which combines fatty s now trademark spoken word against a ferociously infectious disco influenced groove. south africa s rudi botha & miggza return with a looped-funk affair in the form of people come together . rob slac delves deep into the dark recesses of a tech-style groove with the deliciously sultry lonesome butterfly . the package is completed by the upfront sound of kieron ayres what must i do .

falling ethics label owner p.e.a.r.l. uses the 8th installment in his fex series to come up with a remix ep that includes the some of the most exciting names techno has to to offer at this very moment. a great 12” that includes remixes from man of the moment tensal, berlin based phase fatale and stave (member of talker).

with almost 50 digital releases in the space of 8 years, it s about time we gave the vinyl junkies what they want: lazerslut on wax. an intense studio period recently took place and the three originals on this release come straight from the obscure soul of miro, a genius mind backed by two decades worth of music production experience. the ep comes topped with a remix by troy pierce.

philipp gorbachev’s sophomore solo album continues the narrative of his previously released trilogy on cómeme, and serves as the inaugural lp on his own pg tune imprint. from imaginary places like the delta, down to the dirty district, and with reverence for the heritage of the russian avant ­ garde, ‘unlock the box’ pictures a static and demodulated dance floor. welcome to the 5th new century.

boora x mr. robberhood’s first collab on wax. 12 track instrumental project following boora’s debut album soundogolism. comes with full album download card.

delsin s dance floor focussed inertia series taps up berlin based producer bnjmn for his droid ep. it s a whirring fusion of wild synths and thumping drums. it s tough and direct and, as ever, is filled with unusual sounds and textures. remixes on the flipside come from cassegrain and inland.

recorded in kobe, kyoto, tokyo, september 2015 photos by jim orourke. layout by shunichiro okada despite decades of activity and having crossed paths in various collaborations editions mego is honoured to release the first ever duo recording from two of the most highly regarded citizens of planet experimental electronic. individually, jim orourke and christian fennesz have been responsible for numerous legendary works which merge the traditional avant-garde with contemporary sensibilities. on its hard for me to say im sorry these giants of experimental electronic practice come together for an immensely powerful sonic experience. the signature of both o rourke and fennesz cohabit this new release with o rourkes gurgling harmonies swimming amongst the shimmering frequencies and strummed melodies produced by fennesz. two side long tracks situate themselves as a warm electronic adventure. simultaneously radical and comforting these works shift from gentle sonorities to fully distorted explosions all of which reside within a template of tension between musical and non-music matter. timeless in execution and presentation its hard for me to say im sorry is a deeply rewarding sonic experience from two of the most romantic gentlemen active in experimental music today.

after putting out a string of brilliant singles and ep s in the past few years, slavaki is up with his first artist album. it s hard to believe it s taken him 7 years since the first release, to come up with the idea of releasing a full-length . no wonder, tracks have gotten time-tested, and have been carefully selected out of over 10 continuous hours of material written in the period between the year 2011 and 2015. out on artists home label elusive on limited 2x12 inch vinyl, cd , cassette and digital. this album is another peek into slavaki s ever-expanding chest of musical treasures that never seems to fail to surpris

it has been a while since we put out the first record on our * van doumen* sublabel. but the time has come to do it once again. it features surprisingly well-known artists for doumen standards, such as nyc prodigy photay, psychedelic la beatmaker ras g, studio barnhuis darling kornél kovács and leipzig legend leibniz. all are remixing original doumen releases. so i guess your are old enough to decide for yourself if you find that interesting.

this compilation should enrich everybody’s soul with a mix of something for everyone who likes or wants to explore the variety of early soul tracks which are finding new favour on today’s uk soul scene. from the lesser known tracks from big name artists like aretha franklin, otis redding, gladys knight and the drifters, to established hits from the valentinos, sam cooke, steve alaimo, chuck jackson and timi yuro.

karat welcomes the talented andrade ! already heard on labels such as dessous, innercircle, mixmode or d’julz’ bass culture, he delivers a 3 tracks ep gorgeously groovy as hell, some kind of deep but punchy floorfillersto please any kind of crowd. a nice release just perfect for the spring to come! welcome!

following on from the success of frankyeffe album trenta, frankye decided to involve other artists to its productions, this fact that we are presenting will be the second part of the album remixes that continue to give life to this wonderful album. in this ep there are four artists who remixed crazy man - come on - trenta and creepy mind

a trailblazing radio 1 show, unparalleled club-nights and a promising label, the 1-800 dinosaur crew are undoubtedly a focal point for all tastemakers alike. with a new 10inch ready for circulation, trim returns with james blake and airhead hinting towards a taster of whats to come. ‘rpg’ seeps with blakes signature off-kilter soul, feeding the subversive nature that trim revels in, whilst the airhead produced man like me, is undeniably anthemic. guided by the distinct-outsider vocal of one the most under-glorified, yet revered mcs in the uk scene, the 1-800 crew continue to construct their own direction.

this is an album of deeply emotional music. it s not all heartfelt niceties and eye-welling moods though. rhythmic theory did after all come to light (or should that be dark) in the gloomy alleyways of uk soundsystem music begat from dubstep and all that other stuff. -creeper- is on hand to affirm that this is a record still steeped in true, stern moodiness, where a stalking sub line, some metallic percussion and an icy drone can still strike fear more than a thousand angry wobble basslines. it s worth noting how much attention has been given to shorter vignettes. as well as the aforementioned, cryptically titled -interlude-, -work of fiction- and -end (of forever)- both give insights into the places rhythmic theory cares to roam beyond the structure of a long form track. these are places where melancholic or downright ambiguous dispositions interplay with each other, from the synthetic to the earthly, the malevolent to the tender. in the end, even at its most monochromatic, nothing is black and white on rhythmic theory s debut album, and that s just fine with us.

it was too hard to resist another record store day outing once pontchartrain dropped these edits on us.

well, it s definitely a great pleasure to reach soon the 100th release on morris audio! as kind of pre-celebration, we have this mighty compilation feat. new members timmy p and italia 90 (with more to come on morris audio) and homies jammhot and julien sandre. cool club cuts from a1 to b2 - 100 we are coming!

deluxe double 12 inch edition, featuring the iconic “awesome mix vol. 1” on the first vinyl and the original score by tyler bates on the second.

four cuts from bcee’s ‘come and join us’ lp get the remix treatment from some of the finest producers around right now.

nice price deal !!! dani sicilianos latest album is self-titled for a reason, it represents a personal statement crafted by danis own hand - feeding off her accomplished past in experimental pop and electronica and reaching to new tones and timbres in a celebration of musical liberation. culminating eight years of songwriting, production research and sonic exploration, circus company is proud to present dani sicilianos third solo album.

a surprising collaboration between mannella and the uk technos bearer - blawan- that clearly establish a deep techno-space, where the quirky sounds are free to be developed and created. right from the very first second of the dark breeze, which spreads a fluid, echoing and fickle synth, we can hear those fuzzy noises that mannella loves to use. a perfect combo is given by the presence of intense drums, thorough pads and harped synths: a total head-trip that flows in the whole ep. then, with i know you are a cheerful air gain the upper hand, leading it to be theperfect dance floor track. even if is just the second release, its pretty explicit the aim that the label has come to play in music today.

after coming with a pretty great electronic soft jazz number on the first release, distant works begins to define the mission behind the label with the second offering-a synth, italo-esque 5-cut ep that would only come from somewhere in the netherlands these days. the label bosses are clearly up to go to distant places to deliver the sounds. it s a very impressive statement and raises our interest on future releases.

filippo blasi foglietti returns to third ear for his second release, the copy principle, following his well-received debut, the john nixon memorial ep. djs, notably ellen allien and peter van hoesen, and many others continue to play this deep and trippy record. the copy principle is a more urgent, more stripped back proposition than john nixon memorial ep, but is identifiably filippo blasi foglietti, at his deep and trippy best. the copy principle is one of scottish philosopher david humes best known ideas. hume (born 1711, died 1776) states that our ideas come from our impressions. he wrote, all our simple ideas in their first appearance are derivd from simple impressions, which are correspondent to them, and which they exactly represent

drumcode limited was created as an offshoot of drumcode for special tracks focusing on exceptional music. keeping tracks on a vinyl-only format gives the music a special collectors quality and a sound synonymous with audiophiles. past releases come from adam beyer, alan fitzpatrick, tom demac & glimpse, ben sims, steve rachmad, 2000 and one and marco faraone.

internationally-renowned ny duo the martinez brothers have teamed up with the influential miss kittinfor stuff in the trunk, the latest release to come out on the brothers own label, cuttin headz. due for release on the 13th may, this package includes the original track alongside an instrumental and a clean edit.

what can be said about dance mania? simply put, some of the rawest, most jacking house music ever committed to wax has come out on the chicago label. work it! from 1994, courtesy of the mighty parris mitchell & rj hall is slamming, an update of steve poindexter s classic work that m..therfucker but done dance mania style! heavyweight stuff. pair this with its alright on the flip, which takes a deeper turn and you ve got am essential 12inch dug deep from within the vaults. this one is rare too! now it s here again, remastered and reissued with the full consent of mr.mitchell too, what s messing with that? essential chicago business!

lumièreslanuit is glad to welcome istanbul-based duo bärtaub (mutlu san & batuhan güler) for the 6th release of the label. as in most of the duos, each of the members has his speciality. whereas mutlu focuses primarely on the music production, batu is known by istanbuls house/techno aficionados as a restless dj. bärtaubs debut ep is called rhizome (type of plant root) not without reason. beats, melodies and bassline jump over, crawl under and draw apart from each other in unexpected and non-hierarchical ways. in the end, they all come together in a harmonious manner that creates an overall of excitingly playful forest-like atmosphere.

der jüngste zuwachs im kreise der heavenly recordings-familie, amber arcades, verkündet den release ihres debütalbums “fading lines”, das am 03.06.2016 erscheinen wird. annelotte de graaf, so der bürgerliche name der niederländischen künstlerin, nahm die stücke für ihr erstlingswerk zusammen mit produzent ben greenberg (the men, beach fossils, destruction unit) in den strange weather studios in new york auf.
die lp erscheint auf grünem vinyl inklusive downloadcode.

spider and phil are back with more of their analog jam session madness! 4 tracks of apocalyptic cult techno at it s finest. these two stalwarts are plowing through the scene with military precision. all four tracks were recorded in the world famous butcha sound studio in new york city. plan b recordings is on top of their game here with more original material from the rotten apple. stay tuned for much more to come..

is it balearic releases a debut ep from clandestino s joe morris. 4 tracks of lush electronic grooves. the title track golden tides is a mid tempo houser with beautiful pads and soft arpeggios. late afternoon sundowner vibrations. the second track bayou has touches of sueno latino about it, an afterdark evocative tropical house trip. on the flip the first track light of the moon is a more reflective slo mo affair. warm pads and 808 sounds melting into cicadas. finally we come to mpondo theme. sounds of nature kalimba and loose percussion all sit together and watch the sun dip over the savannah horizon. a proper ep this covering all shades.

the special delivery – which is the vinyl iteration of i m a cliches edit service – returns with a second installment following the first pressing curated by red axes and rouge mécanique. this time around, four edits come courtesy of the expert hands and ears of a.a., and we ll let you connoisseurs trace back the originals. one poster (40x60cm) inserted in each record sleeve. single pressing limited to 300 copies.

only vinyl, dedicated to my family, my supporters and all the music lovers. the first chapter come from lapucci (mattia lapucci). four dynamics tracks, experimental atmospheres with classics straight and broken beats.

we were a little bit scared by the long break of the lgdzcrew, but i guess they were just waiting to come back with a big bang ... something for your heart!

the music world waits a decade for more music from marc nguyen tan aka colder - and then along come two albums at once. as colder, marc released two acclaimed, cult darkwave, post-punk albums on trevor jacksons taste-making output recordings in the mid 00s (again in 03 and heat in 05).